Add to ORKGI have often wondered why, although I have regularly gone back to Virginia Woolf's short stories, I still feel I do not know them very well. This is of course no other than the secret charm of Woolf's short stories: they are so hermetic or puzzling that one cannot help re-reading them; they are so varied that one keeps forgetting them; they are so challenging that one feels bound to delve into them again and again. They offer “the obstinate resistance” (Woolf 1988: 158) of the text that Woolf..
The tune began; the first note meant a second; the second a third. Then down beneath a force was bor...
The texts of Virginia Stephen Woolf are rife with references to writers\u27 tools, which she referre...
Shakespeare is ubiquitous in Virginia Woolf’s works and there is hardly a piece of writing in which ...
The short stories of Virginia Woolf have never received serious scrutiny, critics determinedly maint...
Cet article se propose de mettre en lumière la théoricienne de la nouvelle que fut Virginia Woolf, d...
Before the publication of Ralf Freedman’s Virginia Woolf: Revaluation and Continuity (1980), Dean Ba...
A partir d’une lecture de “Dialogue on Mount Pentelicus”, cet article explore, à la lumière des écri...
“A Haunted House” de Virginia Woolf déjoue toutes attentes lectorielles. La nouvelle à la fois repre...
Cet article présente une analyse du récit bref “In the Orchard,” de Virginia Woolf, revenant tout d’...
Cet article étudie la fonction, le pouvoir et la dimension éthique de l'imagination dans quelques no...
Some of Virginia Woolf's writing is analytical of the literary world, including its history and proc...
ABSTRACT: This article leans over Virginia Woolf’s “A Haunted House”, published in the only short-st...
Les nouvelles que Woolf composa entre 1917 et 1921 marquent un tournant dans son écriture, le passag...
It can be argued that in her numerous essays Woolf provides a theory of fiction, although she redefi...
Shakespeare is ubiquitous in Virginia Woolf’s works and there is hardly a piece of writing in which ...
The tune began; the first note meant a second; the second a third. Then down beneath a force was bor...
The texts of Virginia Stephen Woolf are rife with references to writers\u27 tools, which she referre...
Shakespeare is ubiquitous in Virginia Woolf’s works and there is hardly a piece of writing in which ...
The short stories of Virginia Woolf have never received serious scrutiny, critics determinedly maint...
Cet article se propose de mettre en lumière la théoricienne de la nouvelle que fut Virginia Woolf, d...
Before the publication of Ralf Freedman’s Virginia Woolf: Revaluation and Continuity (1980), Dean Ba...
A partir d’une lecture de “Dialogue on Mount Pentelicus”, cet article explore, à la lumière des écri...
“A Haunted House” de Virginia Woolf déjoue toutes attentes lectorielles. La nouvelle à la fois repre...
Cet article présente une analyse du récit bref “In the Orchard,” de Virginia Woolf, revenant tout d’...
Cet article étudie la fonction, le pouvoir et la dimension éthique de l'imagination dans quelques no...
Some of Virginia Woolf's writing is analytical of the literary world, including its history and proc...
ABSTRACT: This article leans over Virginia Woolf’s “A Haunted House”, published in the only short-st...
Les nouvelles que Woolf composa entre 1917 et 1921 marquent un tournant dans son écriture, le passag...
It can be argued that in her numerous essays Woolf provides a theory of fiction, although she redefi...
Shakespeare is ubiquitous in Virginia Woolf’s works and there is hardly a piece of writing in which ...
The tune began; the first note meant a second; the second a third. Then down beneath a force was bor...
The texts of Virginia Stephen Woolf are rife with references to writers\u27 tools, which she referre...
Shakespeare is ubiquitous in Virginia Woolf’s works and there is hardly a piece of writing in which ...